Total words: 1474 | 2-word phrases: 397 | 3-word phrases: 421 | 4-word phrases: 422
PAGE INFO
Title | Try to keep the title under 60 characters (31 characters) Jonas Sjøvaag | Jonas Sjøvaag |
Description | Try to keep the meta description between 50 - 160 characters (0 characters) |
Keywords | Meta keywords are not recommended anymore (0 characters) |
H1 | No H1 tag on the page (0 characters) |
ONE WORD PHRASES 234 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | a | | | | | | | 18 | 7.69% |
2 | and | | | | | | | 15 | 6.41% |
3 | the | | | | | | | 14 | 5.98% |
4 | of | | | | | | | 9 | 3.85% |
5 | music | | | | | | | 9 | 3.85% |
6 | in | | | | | | | 9 | 3.85% |
7 | to | | | | | | | 9 | 3.85% |
8 | for | | | | | | | 8 | 3.42% |
9 | is | | | | | | | 7 | 2.99% |
10 | jonas | | | | | | | 6 | 2.56% |
TWO WORD PHRASES 397 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | as a | | | | | | | 6 | 1.51% |
2 | jonas h | | | | | | | 4 | 1.01% |
3 | music video | | | | | | | 3 | 0.76% |
4 | is a | | | | | | | 3 | 0.76% |
5 | the music | | | | | | | 3 | 0.76% |
6 | of a | | | | | | | 3 | 0.76% |
7 | on a | | | | | | | 3 | 0.76% |
8 | and a | | | | | | | 3 | 0.76% |
9 | budapest movie | | | | | | | 3 | 0.76% |
10 | movie awards | | | | | | | 3 | 0.76% |
11 | jonas has | | | | | | | 3 | 0.76% |
12 | blues for | | | | | | | 2 | 0.50% |
13 | to be | | | | | | | 2 | 0.50% |
14 | and the | | | | | | | 2 | 0.50% |
15 | best experimental | | | | | | | 2 | 0.50% |
16 | for a | | | | | | | 2 | 0.50% |
17 | itzama installation | | | | | | | 2 | 0.50% |
18 | in that | | | | | | | 2 | 0.50% |
19 | experimental music | | | | | | | 2 | 0.50% |
20 | has a | | | | | | | 2 | 0.50% |
THREE WORD PHRASES 421 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | budapest movie awards | | | | | | | 3 | 0.71% |
2 | best experimental music | | | | | | | 2 | 0.48% |
3 | jonas has a | | | | | | | 2 | 0.48% |
4 | made after deciding | | | | | | | 1 | 0.24% |
5 | practice in that | | | | | | | 1 | 0.24% |
6 | research practice in | | | | | | | 1 | 0.24% |
7 | artistic research practice | | | | | | | 1 | 0.24% |
8 | my artistic research | | | | | | | 1 | 0.24% |
9 | a method in | | | | | | | 1 | 0.24% |
10 | on a method | | | | | | | 1 | 0.24% |
11 | deciding on a | | | | | | | 1 | 0.24% |
12 | after deciding on | | | | | | | 1 | 0.24% |
13 | skip to main | | | | | | | 1 | 0.24% |
14 | i made after | | | | | | | 1 | 0.24% |
15 | in that practice | | | | | | | 1 | 0.24% |
16 | a track i | | | | | | | 1 | 0.24% |
17 | is a track | | | | | | | 1 | 0.24% |
18 | itzama is a | | | | | | | 1 | 0.24% |
19 | itzama itzama is | | | | | | | 1 | 0.24% |
20 | creating itzama itzama | | | | | | | 1 | 0.24% |
21 | the video itzama | | | | | | | 1 | 0.24% |
22 | from the video | | | | | | | 1 | 0.24% |
23 | still from the | | | | | | | 1 | 0.24% |
24 | title still from | | | | | | | 1 | 0.24% |
25 | track i made | | | | | | | 1 | 0.24% |
26 | practice the goal | | | | | | | 1 | 0.24% |
27 | that practice the | | | | | | | 1 | 0.24% |
28 | identities or roles | | | | | | | 1 | 0.24% |
29 | the music and | | | | | | | 1 | 0.24% |
30 | and the music | | | | | | | 1 | 0.24% |
FOUR WORD PHRASES 422 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | skip to main content | | | | | | | 1 | 0.24% |
2 | still from the video | | | | | | | 1 | 0.24% |
3 | i made after deciding | | | | | | | 1 | 0.24% |
4 | track i made after | | | | | | | 1 | 0.24% |
5 | a track i made | | | | | | | 1 | 0.24% |
6 | is a track i | | | | | | | 1 | 0.24% |
7 | itzama is a track | | | | | | | 1 | 0.24% |
8 | itzama itzama is a | | | | | | | 1 | 0.24% |
9 | creating itzama itzama is | | | | | | | 1 | 0.24% |
10 | from the video itzama | | | | | | | 1 | 0.24% |
11 | title still from the | | | | | | | 1 | 0.24% |
12 | after deciding on a | | | | | | | 1 | 0.24% |
13 | own title still from | | | | | | | 1 | 0.24% |
14 | its own title still | | | | | | | 1 | 0.24% |
15 | on its own title | | | | | | | 1 | 0.24% |
16 | value on its own | | | | | | | 1 | 0.24% |
17 | a value on its | | | | | | | 1 | 0.24% |
18 | had a value on | | | | | | | 1 | 0.24% |
19 | text had a value | | | | | | | 1 | 0.24% |
20 | that text had a | | | | | | | 1 | 0.24% |
21 | made after deciding on | | | | | | | 1 | 0.24% |
22 | deciding on a method | | | | | | | 1 | 0.24% |
23 | a text to read | | | | | | | 1 | 0.24% |
24 | music comes from fusing | | | | | | | 1 | 0.24% |
25 | wording tba after creating | | | | | | | 1 | 0.24% |
26 | identities or roles exact | | | | | | | 1 | 0.24% |
27 | artistic identities or roles | | | | | | | 1 | 0.24% |
28 | own artistic identities or | | | | | | | 1 | 0.24% |
29 | my own artistic identities | | | | | | | 1 | 0.24% |
30 | fusing my own artistic | | | | | | | 1 | 0.24% |
31 | from fusing my own | | | | | | | 1 | 0.24% |
32 | comes from fusing my | | | | | | | 1 | 0.24% |
33 | what music comes from | | | | | | | 1 | 0.24% |
34 | on a method in | | | | | | | 1 | 0.24% |
35 | goal is to find | | | | | | | 1 | 0.24% |
36 | the goal is to | | | | | | | 1 | 0.24% |
37 | practice the goal is | | | | | | | 1 | 0.24% |
38 | that practice the goal | | | | | | | 1 | 0.24% |
39 | in that practice the | | | | | | | 1 | 0.24% |
40 | practice in that practice | | | | | | | 1 | 0.24% |
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