Total words: 2964 | 2-word phrases: 765 | 3-word phrases: 880 | 4-word phrases: 913
PAGE INFO
| Title | Try to keep the title under 60 characters (83 characters)
Welcome to The Savoy – Bringing Harlem's legendary ballroom back to life |
| Description | Try to keep the meta description between 50 - 160 characters (0 characters)
|
| Keywords | Meta keywords are not recommended anymore (0 characters)
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| H1 | H1 tag on the page (20 characters)
Welcome to The Savoy |
ONE WORD PHRASES 406 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | the | | | | | | | 97 | 23.89% |
| 2 | and | | | | | | | 43 | 10.59% |
| 3 | of | | | | | | | 36 | 8.87% |
| 4 | to | | | | | | | 36 | 8.87% |
| 5 | savoy | | | | | | | 28 | 6.90% |
| 6 | ballroom | | | | | | | 16 | 3.94% |
| 7 | a | | | | | | | 14 | 3.45% |
| 8 | in | | | | | | | 12 | 2.96% |
| 9 | we | | | | | | | 9 | 2.22% |
| 10 | experience | | | | | | | 8 | 1.97% |
TWO WORD PHRASES 765 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | of the | | | | | | | 22 | 2.88% |
| 2 | the savoy | | | | | | | 20 | 2.61% |
| 3 | to the | | | | | | | 10 | 1.31% |
| 4 | savoy ballroom | | | | | | | 7 | 0.92% |
| 5 | in the | | | | | | | 5 | 0.65% |
| 6 | and the | | | | | | | 5 | 0.65% |
| 7 | into the | | | | | | | 4 | 0.52% |
| 8 | the world | | | | | | | 4 | 0.52% |
| 9 | on the | | | | | | | 4 | 0.52% |
| 10 | virtual reality | | | | | | | 4 | 0.52% |
| 11 | create the | | | | | | | 4 | 0.52% |
| 12 | the ballroom | | | | | | | 4 | 0.52% |
| 13 | creating the | | | | | | | 4 | 0.52% |
| 14 | is a | | | | | | | 4 | 0.52% |
| 15 | welcome to | | | | | | | 4 | 0.52% |
| 16 | as the | | | | | | | 3 | 0.39% |
| 17 | the late | | | | | | | 3 | 0.39% |
| 18 | the physical | | | | | | | 3 | 0.39% |
| 19 | immersive theatre | | | | | | | 3 | 0.39% |
| 20 | an immersive | | | | | | | 3 | 0.39% |
THREE WORD PHRASES 880 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | of the savoy | | | | | | | 7 | 0.80% |
| 2 | to the savoy | | | | | | | 4 | 0.45% |
| 3 | welcome to the | | | | | | | 4 | 0.45% |
| 4 | of the ballroom | | | | | | | 4 | 0.45% |
| 5 | the savoy ballroom | | | | | | | 3 | 0.34% |
| 6 | the savoy in | | | | | | | 2 | 0.23% |
| 7 | immersive theatre experience | | | | | | | 2 | 0.23% |
| 8 | an immersive theatre | | | | | | | 2 | 0.23% |
| 9 | the savoy was | | | | | | | 2 | 0.23% |
| 10 | home of happy | | | | | | | 2 | 0.23% |
| 11 | of happy feet | | | | | | | 2 | 0.23% |
| 12 | the savoy is | | | | | | | 2 | 0.23% |
| 13 | by sharon davis | | | | | | | 2 | 0.23% |
| 14 | “augment” the physical | | | | | | | 2 | 0.23% |
| 15 | savoy is a | | | | | | | 2 | 0.23% |
| 16 | the late 1930s | | | | | | | 2 | 0.23% |
| 17 | and virtual reality | | | | | | | 2 | 0.23% |
| 18 | in an immersive | | | | | | | 2 | 0.23% |
| 19 | the experience of | | | | | | | 2 | 0.23% |
| 20 | as the savoy | | | | | | | 2 | 0.23% |
| 21 | live performers to | | | | | | | 2 | 0.23% |
| 22 | harlem new york | | | | | | | 2 | 0.23% |
| 23 | at the savoy | | | | | | | 2 | 0.23% |
| 24 | infrastructures decors and | | | | | | | 2 | 0.23% |
| 25 | floor plans and | | | | | | | 1 | 0.11% |
| 26 | plans and the | | | | | | | 1 | 0.11% |
| 27 | and the 3d | | | | | | | 1 | 0.11% |
| 28 | the 3d models | | | | | | | 1 | 0.11% |
| 29 | their surfaces ex | | | | | | | 1 | 0.11% |
| 30 | 3d models to | | | | | | | 1 | 0.11% |
FOUR WORD PHRASES 913 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | welcome to the savoy | | | | | | | 4 | 0.44% |
| 2 | of the savoy ballroom | | | | | | | 3 | 0.33% |
| 3 | the savoy is a | | | | | | | 2 | 0.22% |
| 4 | to the savoy is | | | | | | | 2 | 0.22% |
| 5 | an immersive theatre experience | | | | | | | 2 | 0.22% |
| 6 | home of happy feet | | | | | | | 2 | 0.22% |
| 7 | acoustic of the savoy | | | | | | | 1 | 0.11% |
| 8 | a black curtain 4 | | | | | | | 1 | 0.11% |
| 9 | black curtain 4 audio | | | | | | | 1 | 0.11% |
| 10 | curtain 4 audio to | | | | | | | 1 | 0.11% |
| 11 | recreate the unique acoustic | | | | | | | 1 | 0.11% |
| 12 | the unique acoustic of | | | | | | | 1 | 0.11% |
| 13 | unique acoustic of the | | | | | | | 1 | 0.11% |
| 14 | savoy we are using | | | | | | | 1 | 0.11% |
| 15 | of the savoy we | | | | | | | 1 | 0.11% |
| 16 | the savoy we are | | | | | | | 1 | 0.11% |
| 17 | window versus a black | | | | | | | 1 | 0.11% |
| 18 | we are using the | | | | | | | 1 | 0.11% |
| 19 | are using the existing | | | | | | | 1 | 0.11% |
| 20 | floor plans and the | | | | | | | 1 | 0.11% |
| 21 | plans and the 3d | | | | | | | 1 | 0.11% |
| 22 | and the 3d models | | | | | | | 1 | 0.11% |
| 23 | the 3d models to | | | | | | | 1 | 0.11% |
| 24 | 3d models to simulate | | | | | | | 1 | 0.11% |
| 25 | versus a black curtain | | | | | | | 1 | 0.11% |
| 26 | ex a window versus | | | | | | | 1 | 0.11% |
| 27 | a window versus a | | | | | | | 1 | 0.11% |
| 28 | materials the colors and | | | | | | | 1 | 0.11% |
| 29 | the savoy ballroom the | | | | | | | 1 | 0.11% |
| 30 | savoy ballroom the texturing | | | | | | | 1 | 0.11% |
| 31 | phase is essential as | | | | | | | 1 | 0.11% |
| 32 | is essential as depending | | | | | | | 1 | 0.11% |
| 33 | essential as depending on | | | | | | | 1 | 0.11% |
| 34 | as depending on the | | | | | | | 1 | 0.11% |
| 35 | depending on the materials | | | | | | | 1 | 0.11% |
| 36 | on the materials the | | | | | | | 1 | 0.11% |
| 37 | the materials the colors | | | | | | | 1 | 0.11% |
| 38 | the colors and the | | | | | | | 1 | 0.11% |
| 39 | to simulate the acoustic | | | | | | | 1 | 0.11% |
| 40 | physical properties of each | | | | | | | 1 | 0.11% |
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