Total words: 1050 | 2-word phrases: 278 | 3-word phrases: 296 | 4-word phrases: 301
PAGE INFO
Title | Try to keep the title under 60 characters (58 characters) The Millennial Gaia – Oberon Zell's Masterpiece |
Description | Try to keep the meta description between 50 - 160 characters (0 characters)
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ONE WORD PHRASES 175 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | the | | | | | | | 20 | 11.43% |
2 | gaia | | | | | | | 12 | 6.86% |
3 | of | | | | | | | 11 | 6.29% |
4 | and | | | | | | | 8 | 4.57% |
5 | millennial | | | | | | | 8 | 4.57% |
6 | to | | | | | | | 6 | 3.43% |
7 | for | | | | | | | 6 | 3.43% |
8 | in | | | | | | | 5 | 2.86% |
9 | as | | | | | | | 4 | 2.29% |
10 | search | | | | | | | 4 | 2.29% |
TWO WORD PHRASES 278 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | millennial gaia | | | | | | | 8 | 2.88% |
2 | the millennial | | | | | | | 5 | 1.80% |
3 | oberon zell | | | | | | | 4 | 1.44% |
4 | about the | | | | | | | 3 | 1.08% |
5 | in the | | | | | | | 3 | 1.08% |
6 | skip to | | | | | | | 2 | 0.72% |
7 | and images | | | | | | | 2 | 0.72% |
8 | symbols and | | | | | | | 2 | 0.72% |
9 | gaia a | | | | | | | 2 | 0.72% |
10 | as a | | | | | | | 2 | 0.72% |
11 | has been | | | | | | | 2 | 0.72% |
12 | of the | | | | | | | 2 | 0.72% |
13 | to the | | | | | | | 2 | 0.72% |
14 | my account | | | | | | | 2 | 0.72% |
15 | and in | | | | | | | 2 | 0.72% |
16 | portrayal of | | | | | | | 2 | 0.72% |
17 | wall art | | | | | | | 2 | 0.72% |
18 | glass ornaments | | | | | | | 2 | 0.72% |
19 | search for | | | | | | | 2 | 0.72% |
20 | who have | | | | | | | 1 | 0.36% |
THREE WORD PHRASES 296 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | the millennial gaia | | | | | | | 5 | 1.69% |
2 | symbols and images | | | | | | | 2 | 0.68% |
3 | skip to navigation | | | | | | | 1 | 0.34% |
4 | people who have | | | | | | | 1 | 0.34% |
5 | about the millennial | | | | | | | 1 | 0.34% |
6 | millennial gaia and | | | | | | | 1 | 0.34% |
7 | gaia and how | | | | | | | 1 | 0.34% |
8 | and how she | | | | | | | 1 | 0.34% |
9 | how she has | | | | | | | 1 | 0.34% |
10 | she has touched | | | | | | | 1 | 0.34% |
11 | has touched the | | | | | | | 1 | 0.34% |
12 | touched the lives | | | | | | | 1 | 0.34% |
13 | the lives of | | | | | | | 1 | 0.34% |
14 | thousands of people | | | | | | | 1 | 0.34% |
15 | of people who | | | | | | | 1 | 0.34% |
16 | have taken her | | | | | | | 1 | 0.34% |
17 | who have taken | | | | | | | 1 | 0.34% |
18 | for providing information | | | | | | | 1 | 0.34% |
19 | taken her image | | | | | | | 1 | 0.34% |
20 | her image into | | | | | | | 1 | 0.34% |
21 | image into their | | | | | | | 1 | 0.34% |
22 | into their personal | | | | | | | 1 | 0.34% |
23 | space it is | | | | | | | 1 | 0.34% |
24 | it is also | | | | | | | 1 | 0.34% |
25 | is also the | | | | | | | 1 | 0.34% |
26 | also the most | | | | | | | 1 | 0.34% |
27 | the most direct | | | | | | | 1 | 0.34% |
28 | most direct way | | | | | | | 1 | 0.34% |
29 | direct way to | | | | | | | 1 | 0.34% |
30 | information about the | | | | | | | 1 | 0.34% |
FOUR WORD PHRASES 301 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | skip to navigation skip | | | | | | | 1 | 0.33% |
2 | thousands of people who | | | | | | | 1 | 0.33% |
3 | personal setting for providing | | | | | | | 1 | 0.33% |
4 | setting for providing information | | | | | | | 1 | 0.33% |
5 | about the millennial gaia | | | | | | | 1 | 0.33% |
6 | the millennial gaia and | | | | | | | 1 | 0.33% |
7 | millennial gaia and how | | | | | | | 1 | 0.33% |
8 | gaia and how she | | | | | | | 1 | 0.33% |
9 | and how she has | | | | | | | 1 | 0.33% |
10 | how she has touched | | | | | | | 1 | 0.33% |
11 | she has touched the | | | | | | | 1 | 0.33% |
12 | has touched the lives | | | | | | | 1 | 0.33% |
13 | touched the lives of | | | | | | | 1 | 0.33% |
14 | of people who have | | | | | | | 1 | 0.33% |
15 | is oberon’s personal setting | | | | | | | 1 | 0.33% |
16 | people who have taken | | | | | | | 1 | 0.33% |
17 | who have taken her | | | | | | | 1 | 0.33% |
18 | have taken her image | | | | | | | 1 | 0.33% |
19 | taken her image into | | | | | | | 1 | 0.33% |
20 | her image into their | | | | | | | 1 | 0.33% |
21 | image into their personal | | | | | | | 1 | 0.33% |
22 | space it is also | | | | | | | 1 | 0.33% |
23 | it is also the | | | | | | | 1 | 0.33% |
24 | is also the most | | | | | | | 1 | 0.33% |
25 | also the most direct | | | | | | | 1 | 0.33% |
26 | the most direct way | | | | | | | 1 | 0.33% |
27 | oberon’s personal setting for | | | | | | | 1 | 0.33% |
28 | website is oberon’s personal | | | | | | | 1 | 0.33% |
29 | direct way to order | | | | | | | 1 | 0.33% |
30 | she displays as an | | | | | | | 1 | 0.33% |
31 | has been called a | | | | | | | 1 | 0.33% |
32 | been called a “sermon | | | | | | | 1 | 0.33% |
33 | called a “sermon in | | | | | | | 1 | 0.33% |
34 | stone” with the myriad | | | | | | | 1 | 0.33% |
35 | with the myriad symbols | | | | | | | 1 | 0.33% |
36 | the myriad symbols and | | | | | | | 1 | 0.33% |
37 | myriad symbols and images | | | | | | | 1 | 0.33% |
38 | symbols and images that | | | | | | | 1 | 0.33% |
39 | and images that she | | | | | | | 1 | 0.33% |
40 | images that she displays | | | | | | | 1 | 0.33% |
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