| 1 | t e x t | | | | | | | 2 | 0.87% |
| 2 | x t f i | | | | | | | 2 | 0.87% |
| 3 | t f i l | | | | | | | 2 | 0.87% |
| 4 | f i l e | | | | | | | 2 | 0.87% |
| 5 | i l e s | | | | | | | 2 | 0.87% |
| 6 | e x t f | | | | | | | 2 | 0.87% |
| 7 | these files are sometime | | | | | | | 1 | 0.44% |
| 8 | textfiles and the world | | | | | | | 1 | 0.44% |
| 9 | and the world as | | | | | | | 1 | 0.44% |
| 10 | the world as it | | | | | | | 1 | 0.44% |
| 11 | was then but even | | | | | | | 1 | 0.44% |
| 12 | then but even these | | | | | | | 1 | 0.44% |
| 13 | but even these files | | | | | | | 1 | 0.44% |
| 14 | even these files are | | | | | | | 1 | 0.44% |
| 15 | sometime retooled 1960s and | | | | | | | 1 | 0.44% |
| 16 | files are sometime retooled | | | | | | | 1 | 0.44% |
| 17 | are sometime retooled 1960s | | | | | | | 1 | 0.44% |
| 18 | on mid1980s textfiles and | | | | | | | 1 | 0.44% |
| 19 | retooled 1960s and 1970s | | | | | | | 1 | 0.44% |
| 20 | works and offshoots of | | | | | | | 1 | 0.44% |
| 21 | and offshoots of this | | | | | | | 1 | 0.44% |
| 22 | offshoots of this culture | | | | | | | 1 | 0.44% |
| 23 | of this culture exist | | | | | | | 1 | 0.44% |
| 24 | this culture exist to | | | | | | | 1 | 0.44% |
| 25 | mid1980s textfiles and the | | | | | | | 1 | 0.44% |
| 26 | the focus is on | | | | | | | 1 | 0.44% |
| 27 | is on mid1980s textfiles | | | | | | | 1 | 0.44% |
| 28 | by the 128 characters | | | | | | | 1 | 0.44% |
| 29 | the history of writers | | | | | | | 1 | 0.44% |
| 30 | history of writers and | | | | | | | 1 | 0.44% |
| 31 | of writers and artists | | | | | | | 1 | 0.44% |
| 32 | writers and artists bound | | | | | | | 1 | 0.44% |
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| 35 | bound by the 128 | | | | | | | 1 | 0.44% |
| 36 | that the american standard | | | | | | | 1 | 0.44% |
| 37 | focus is on mid1980s | | | | | | | 1 | 0.44% |
| 38 | the american standard code | | | | | | | 1 | 0.44% |
| 39 | american standard code for | | | | | | | 1 | 0.44% |
| 40 | standard code for information | | | | | | | 1 | 0.44% |