Total words: 4231 | 2-word phrases: 1099 | 3-word phrases: 1303 | 4-word phrases: 1348
PAGE INFO
| Title | Try to keep the title under 60 characters (57 characters)
Raphael Paintings: 50 Famous Paintings Analysis & Bio |
| Description | Try to keep the meta description between 50 - 160 characters (0 characters)
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| Keywords | Meta keywords are not recommended anymore (0 characters)
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| H1 | H1 tag on the page (31 characters)
Raphael: Life and his paintings |
ONE WORD PHRASES 481 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | the | | | | | | | 105 | 21.83% |
| 2 | of | | | | | | | 62 | 12.89% |
| 3 | his | | | | | | | 47 | 9.77% |
| 4 | in | | | | | | | 39 | 8.11% |
| 5 | to | | | | | | | 35 | 7.28% |
| 6 | was | | | | | | | 31 | 6.44% |
| 7 | he | | | | | | | 28 | 5.82% |
| 8 | a | | | | | | | 27 | 5.61% |
| 9 | raphael | | | | | | | 24 | 4.99% |
| 10 | and | | | | | | | 15 | 3.12% |
TWO WORD PHRASES 1099 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | in the | | | | | | | 14 | 1.27% |
| 2 | of the | | | | | | | 14 | 1.27% |
| 3 | of a | | | | | | | 9 | 0.82% |
| 4 | the artist | | | | | | | 9 | 0.82% |
| 5 | he was | | | | | | | 8 | 0.73% |
| 6 | of his | | | | | | | 7 | 0.64% |
| 7 | was a | | | | | | | 7 | 0.64% |
| 8 | on the | | | | | | | 7 | 0.64% |
| 9 | his work | | | | | | | 6 | 0.55% |
| 10 | pope julius | | | | | | | 6 | 0.55% |
| 11 | continued to | | | | | | | 6 | 0.55% |
| 12 | the vatican | | | | | | | 5 | 0.45% |
| 13 | the work | | | | | | | 5 | 0.45% |
| 14 | julius ii | | | | | | | 5 | 0.45% |
| 15 | by raphael | | | | | | | 5 | 0.45% |
| 16 | managed to | | | | | | | 4 | 0.36% |
| 17 | at the | | | | | | | 4 | 0.36% |
| 18 | this was | | | | | | | 4 | 0.36% |
| 19 | at his | | | | | | | 4 | 0.36% |
| 20 | as the | | | | | | | 4 | 0.36% |
THREE WORD PHRASES 1303 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | pope julius ii | | | | | | | 3 | 0.23% |
| 2 | leonardo da vinci | | | | | | | 3 | 0.23% |
| 3 | the school of | | | | | | | 3 | 0.23% |
| 4 | school of athens | | | | | | | 3 | 0.23% |
| 5 | disputation of the | | | | | | | 3 | 0.23% |
| 6 | in the vatican | | | | | | | 2 | 0.15% |
| 7 | addition he was | | | | | | | 2 | 0.15% |
| 8 | quite early his | | | | | | | 2 | 0.15% |
| 9 | in a good | | | | | | | 2 | 0.15% |
| 10 | masters of the | | | | | | | 2 | 0.15% |
| 11 | vision of a | | | | | | | 2 | 0.15% |
| 12 | of the time | | | | | | | 2 | 0.15% |
| 13 | of his work | | | | | | | 2 | 0.15% |
| 14 | in the year | | | | | | | 2 | 0.15% |
| 15 | a lot from | | | | | | | 2 | 0.15% |
| 16 | continued to work | | | | | | | 2 | 0.15% |
| 17 | portrait of baldassare | | | | | | | 2 | 0.15% |
| 18 | his own unique | | | | | | | 2 | 0.15% |
| 19 | to paint over | | | | | | | 2 | 0.15% |
| 20 | of the holy | | | | | | | 2 | 0.15% |
| 21 | the holy sacrament | | | | | | | 2 | 0.15% |
| 22 | the artist never | | | | | | | 2 | 0.15% |
| 23 | madonna del cardellino | | | | | | | 2 | 0.15% |
| 24 | is known as | | | | | | | 2 | 0.15% |
| 25 | in addition he | | | | | | | 2 | 0.15% |
| 26 | to use his | | | | | | | 2 | 0.15% |
| 27 | in this room | | | | | | | 2 | 0.15% |
| 28 | work in the | | | | | | | 2 | 0.15% |
| 29 | the young master | | | | | | | 2 | 0.15% |
| 30 | who had been | | | | | | | 2 | 0.15% |
FOUR WORD PHRASES 1348 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | the school of athens | | | | | | | 3 | 0.22% |
| 2 | the triumph of galatea | | | | | | | 2 | 0.15% |
| 3 | of the holy sacrament | | | | | | | 2 | 0.15% |
| 4 | in addition he was | | | | | | | 2 | 0.15% |
| 5 | disputation of the holy | | | | | | | 2 | 0.15% |
| 6 | masters of the time | | | | | | | 2 | 0.15% |
| 7 | the marriage of the | | | | | | | 2 | 0.15% |
| 8 | raphael logo home raphael | | | | | | | 1 | 0.07% |
| 9 | to work on projects | | | | | | | 1 | 0.07% |
| 10 | work on projects but | | | | | | | 1 | 0.07% |
| 11 | out of work he | | | | | | | 1 | 0.07% |
| 12 | continued to work on | | | | | | | 1 | 0.07% |
| 13 | projects but played a | | | | | | | 1 | 0.07% |
| 14 | running out of work | | | | | | | 1 | 0.07% |
| 15 | of running out of | | | | | | | 1 | 0.07% |
| 16 | danger of running out | | | | | | | 1 | 0.07% |
| 17 | in danger of running | | | | | | | 1 | 0.07% |
| 18 | never in danger of | | | | | | | 1 | 0.07% |
| 19 | was never in danger | | | | | | | 1 | 0.07% |
| 20 | on projects but played | | | | | | | 1 | 0.07% |
| 21 | played a smaller role | | | | | | | 1 | 0.07% |
| 22 | but played a smaller | | | | | | | 1 | 0.07% |
| 23 | crew of assistants to | | | | | | | 1 | 0.07% |
| 24 | large and complex works | | | | | | | 1 | 0.07% |
| 25 | his large and complex | | | | | | | 1 | 0.07% |
| 26 | painting his large and | | | | | | | 1 | 0.07% |
| 27 | actual painting his large | | | | | | | 1 | 0.07% |
| 28 | assistants to handle the | | | | | | | 1 | 0.07% |
| 29 | of assistants to handle | | | | | | | 1 | 0.07% |
| 30 | large crew of assistants | | | | | | | 1 | 0.07% |
| 31 | that he was never | | | | | | | 1 | 0.07% |
| 32 | his large crew of | | | | | | | 1 | 0.07% |
| 33 | leaving his large crew | | | | | | | 1 | 0.07% |
| 34 | works leaving his large | | | | | | | 1 | 0.07% |
| 35 | the works leaving his | | | | | | | 1 | 0.07% |
| 36 | directed the works leaving | | | | | | | 1 | 0.07% |
| 37 | smaller role he generally | | | | | | | 1 | 0.07% |
| 38 | a smaller role he | | | | | | | 1 | 0.07% |
| 39 | he was never in | | | | | | | 1 | 0.07% |
| 40 | a significant role in | | | | | | | 1 | 0.07% |
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