Total words: 1981 | 2-word phrases: 529 | 3-word phrases: 560 | 4-word phrases: 565
PAGE INFO
Title | Try to keep the title under 60 characters (17 characters) Max Plattner Trio |
Description | Try to keep the meta description between 50 - 160 characters (0 characters) |
Keywords | Meta keywords are not recommended anymore (0 characters) |
H1 | H1 tag on the page (5 characters) About |
ONE WORD PHRASES 327 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | the | | | | | | | 28 | 8.56% |
2 | and | | | | | | | 22 | 6.73% |
3 | of | | | | | | | 18 | 5.50% |
4 | in | | | | | | | 17 | 5.20% |
5 | a | | | | | | | 11 | 3.36% |
6 | on | | | | | | | 11 | 3.36% |
7 | to | | | | | | | 9 | 2.75% |
8 | their | | | | | | | 8 | 2.45% |
9 | they | | | | | | | 6 | 1.83% |
10 | which | | | | | | | 6 | 1.83% |
TWO WORD PHRASES 529 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | the trio | | | | | | | 5 | 0.95% |
2 | on the | | | | | | | 5 | 0.95% |
3 | max plattner | | | | | | | 4 | 0.76% |
4 | of the | | | | | | | 4 | 0.76% |
5 | and a | | | | | | | 3 | 0.57% |
6 | yvonne moriel | | | | | | | 3 | 0.57% |
7 | in a | | | | | | | 3 | 0.57% |
8 | same time | | | | | | | 3 | 0.57% |
9 | tobias vedovelli | | | | | | | 3 | 0.57% |
10 | the same | | | | | | | 3 | 0.57% |
11 | of their | | | | | | | 3 | 0.57% |
12 | debut album | | | | | | | 3 | 0.57% |
13 | in the | | | | | | | 3 | 0.57% |
14 | to the | | | | | | | 3 | 0.57% |
15 | through the | | | | | | | 2 | 0.38% |
16 | and max | | | | | | | 2 | 0.38% |
17 | on stage | | | | | | | 2 | 0.38% |
18 | 2018 the | | | | | | | 2 | 0.38% |
19 | and dirty | | | | | | | 2 | 0.38% |
20 | raw and | | | | | | | 2 | 0.38% |
THREE WORD PHRASES 560 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | the same time | | | | | | | 2 | 0.36% |
2 | as well as | | | | | | | 2 | 0.36% |
3 | while at the | | | | | | | 2 | 0.36% |
4 | raw and dirty | | | | | | | 2 | 0.36% |
5 | austria and germany | | | | | | | 2 | 0.36% |
6 | trio’s debut album | | | | | | | 2 | 0.36% |
7 | tobias vedovelli and | | | | | | | 2 | 0.36% |
8 | vedovelli and max | | | | | | | 2 | 0.36% |
9 | max plattner trio | | | | | | | 2 | 0.36% |
10 | intense emotions songs | | | | | | | 1 | 0.18% |
11 | to the realm | | | | | | | 1 | 0.18% |
12 | convey intense emotions | | | | | | | 1 | 0.18% |
13 | to convey intense | | | | | | | 1 | 0.18% |
14 | how to convey | | | | | | | 1 | 0.18% |
15 | of how to | | | | | | | 1 | 0.18% |
16 | also of how | | | | | | | 1 | 0.18% |
17 | but also of | | | | | | | 1 | 0.18% |
18 | the realm of | | | | | | | 1 | 0.18% |
19 | sound but also | | | | | | | 1 | 0.18% |
20 | of sound but | | | | | | | 1 | 0.18% |
21 | sense not only | | | | | | | 1 | 0.18% |
22 | realm of pop | | | | | | | 1 | 0.18% |
23 | incredible sense not | | | | | | | 1 | 0.18% |
24 | an incredible sense | | | | | | | 1 | 0.18% |
25 | emotions songs that | | | | | | | 1 | 0.18% |
26 | to an incredible | | | | | | | 1 | 0.18% |
27 | attest to an | | | | | | | 1 | 0.18% |
28 | that attest to | | | | | | | 1 | 0.18% |
29 | songs that attest | | | | | | | 1 | 0.18% |
30 | in songs that | | | | | | | 1 | 0.18% |
FOUR WORD PHRASES 565 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | tobias vedovelli and max | | | | | | | 2 | 0.35% |
2 | zum inhalt springen max | | | | | | | 1 | 0.18% |
3 | the realm of pop | | | | | | | 1 | 0.18% |
4 | incredible sense not only | | | | | | | 1 | 0.18% |
5 | an incredible sense not | | | | | | | 1 | 0.18% |
6 | to an incredible sense | | | | | | | 1 | 0.18% |
7 | attest to an incredible | | | | | | | 1 | 0.18% |
8 | that attest to an | | | | | | | 1 | 0.18% |
9 | songs that attest to | | | | | | | 1 | 0.18% |
10 | in songs that attest | | | | | | | 1 | 0.18% |
11 | resulted in songs that | | | | | | | 1 | 0.18% |
12 | has resulted in songs | | | | | | | 1 | 0.18% |
13 | this has resulted in | | | | | | | 1 | 0.18% |
14 | realm of pop culture | | | | | | | 1 | 0.18% |
15 | close to the realm | | | | | | | 1 | 0.18% |
16 | to the realm of | | | | | | | 1 | 0.18% |
17 | sound but also of | | | | | | | 1 | 0.18% |
18 | topics close to the | | | | | | | 1 | 0.18% |
19 | as topics close to | | | | | | | 1 | 0.18% |
20 | well as topics close | | | | | | | 1 | 0.18% |
21 | as well as topics | | | | | | | 1 | 0.18% |
22 | world as well as | | | | | | | 1 | 0.18% |
23 | the world as well | | | | | | | 1 | 0.18% |
24 | of the world as | | | | | | | 1 | 0.18% |
25 | parts of the world | | | | | | | 1 | 0.18% |
26 | musical influences from different | | | | | | | 1 | 0.18% |
27 | on musical influences from | | | | | | | 1 | 0.18% |
28 | draws on musical influences | | | | | | | 1 | 0.18% |
29 | of sound but also | | | | | | | 1 | 0.18% |
30 | but also of how | | | | | | | 1 | 0.18% |
31 | austrian trio draws on | | | | | | | 1 | 0.18% |
32 | can lose yourself and | | | | | | | 1 | 0.18% |
33 | use of cyclic harmony | | | | | | | 1 | 0.18% |
34 | the use of cyclic | | | | | | | 1 | 0.18% |
35 | through the use of | | | | | | | 1 | 0.18% |
36 | partly through the use | | | | | | | 1 | 0.18% |
37 | aided by computergenerated voice | | | | | | | 1 | 0.18% |
38 | partly aided by computergenerated | | | | | | | 1 | 0.18% |
39 | yourself partly aided by | | | | | | | 1 | 0.18% |
40 | find yourself partly aided | | | | | | | 1 | 0.18% |
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