| 1 | maiku a haiku composer | | | | | | | 1 | 0.25% |
| 2 | american poet sonia sanchez | | | | | | | 1 | 0.25% |
| 3 | wrote about drummer max | | | | | | | 1 | 0.25% |
| 4 | she wrote about drummer | | | | | | | 1 | 0.25% |
| 5 | series she wrote about | | | | | | | 1 | 0.25% |
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| 9 | poet sonia sanchez the | | | | | | | 1 | 0.25% |
| 10 | modern american poet sonia | | | | | | | 1 | 0.25% |
| 11 | drummer max roach nothing | | | | | | | 1 | 0.25% |
| 12 | from modern american poet | | | | | | | 1 | 0.25% |
| 13 | poem from modern american | | | | | | | 1 | 0.25% |
| 14 | another poem from modern | | | | | | | 1 | 0.25% |
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| 17 | on a wet black | | | | | | | 1 | 0.25% |
| 18 | petals on a wet | | | | | | | 1 | 0.25% |
| 19 | crowd petals on a | | | | | | | 1 | 0.25% |
| 20 | about drummer max roach | | | | | | | 1 | 0.25% |
| 21 | max roach nothing ends | | | | | | | 1 | 0.25% |
| 22 | in the crowd petals | | | | | | | 1 | 0.25% |
| 23 | mind than constraints and | | | | | | | 1 | 0.25% |
| 24 | both how maiku works | | | | | | | 1 | 0.25% |
| 25 | offers both how maiku | | | | | | | 1 | 0.25% |
| 26 | haiku offers both how | | | | | | | 1 | 0.25% |
| 27 | writing haiku offers both | | | | | | | 1 | 0.25% |
| 28 | and writing haiku offers | | | | | | | 1 | 0.25% |
| 29 | constraints and writing haiku | | | | | | | 1 | 0.25% |
| 30 | than constraints and writing | | | | | | | 1 | 0.25% |
| 31 | are better for the | | | | | | | 1 | 0.25% |
| 32 | roach nothing ends every | | | | | | | 1 | 0.25% |
| 33 | things are better for | | | | | | | 1 | 0.25% |
| 34 | few things are better | | | | | | | 1 | 0.25% |
| 35 | sound few things are | | | | | | | 1 | 0.25% |
| 36 | your sound few things | | | | | | | 1 | 0.25% |
| 37 | remembering your sound few | | | | | | | 1 | 0.25% |
| 38 | grass remembering your sound | | | | | | | 1 | 0.25% |
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| 40 | blade of grass remembering | | | | | | | 1 | 0.25% |