| 1 | calendar press room contact | | | | | | | 2 | 0.43% |
| 2 | documentary on louise lecavalier | | | | | | | 2 | 0.43% |
| 3 | producer of two other | | | | | | | 1 | 0.21% |
| 4 | produced by michel ouellette | | | | | | | 1 | 0.21% |
| 5 | place at the presentation | | | | | | | 1 | 0.21% |
| 6 | at the presentation of | | | | | | | 1 | 0.21% |
| 7 | of two other films | | | | | | | 1 | 0.21% |
| 8 | ouellette producer of two | | | | | | | 1 | 0.21% |
| 9 | michel ouellette producer of | | | | | | | 1 | 0.21% |
| 10 | by michel ouellette producer | | | | | | | 1 | 0.21% |
| 11 | quelque chose de sauvage | | | | | | | 1 | 0.21% |
| 12 | and produced by michel | | | | | | | 1 | 0.21% |
| 13 | the dancer illustrated by | | | | | | | 1 | 0.21% |
| 14 | chose de sauvage by | | | | | | | 1 | 0.21% |
| 15 | directed by raymond stjean | | | | | | | 1 | 0.21% |
| 16 | lecavalier directed by raymond | | | | | | | 1 | 0.21% |
| 17 | louise lecavalier directed by | | | | | | | 1 | 0.21% |
| 18 | on louise lecavalier directed | | | | | | | 1 | 0.21% |
| 19 | a documentary on louise | | | | | | | 1 | 0.21% |
| 20 | for a documentary on | | | | | | | 1 | 0.21% |
| 21 | spotlighting the dancer illustrated | | | | | | | 1 | 0.21% |
| 22 | illustrated by dance scenes | | | | | | | 1 | 0.21% |
| 23 | dancer illustrated by dance | | | | | | | 1 | 0.21% |
| 24 | film is a mosaiclike | | | | | | | 1 | 0.21% |
| 25 | artist who mines her | | | | | | | 1 | 0.21% |
| 26 | the artist who mines | | | | | | | 1 | 0.21% |
| 27 | of her talent the | | | | | | | 1 | 0.21% |
| 28 | her talent the ceremony | | | | | | | 1 | 0.21% |
| 29 | talent the ceremony took | | | | | | | 1 | 0.21% |
| 30 | mosaiclike closeup portrait of | | | | | | | 1 | 0.21% |
| 31 | a mosaiclike closeup portrait | | | | | | | 1 | 0.21% |
| 32 | is a mosaiclike closeup | | | | | | | 1 | 0.21% |
| 33 | the film is a | | | | | | | 1 | 0.21% |
| 34 | de sauvage by the | | | | | | | 1 | 0.21% |
| 35 | camera the film is | | | | | | | 1 | 0.21% |
| 36 | the camera the film | | | | | | | 1 | 0.21% |
| 37 | for the camera the | | | | | | | 1 | 0.21% |
| 38 | especially for the camera | | | | | | | 1 | 0.21% |
| 39 | the ceremony took place | | | | | | | 1 | 0.21% |
| 40 | ceremony took place at | | | | | | | 1 | 0.21% |