| 1 | rosewood santoshernandez spanishguitar tonewood | | | | | | | 4 | 0.38% |
| 2 | johnrayguitars lainvencible lutherie luthery | | | | | | | 4 | 0.38% |
| 3 | escuelagranadina flamenco flamencoguitar granada | | | | | | | 3 | 0.29% |
| 4 | posted in guitar makingtagged | | | | | | | 3 | 0.29% |
| 5 | guitarmaker guitarmaking guitarra guitarrero | | | | | | | 3 | 0.29% |
| 6 | lutherie luthery luthier nylonstring | | | | | | | 3 | 0.29% |
| 7 | lainvencible lutherie luthery luthier | | | | | | | 3 | 0.29% |
| 8 | great guitars of the | | | | | | | 2 | 0.19% |
| 9 | guitarra guitarrero handcrafted handmadeclassicalguitar | | | | | | | 2 | 0.19% |
| 10 | handmadeguitars johnray johnrayguitars lainvencible | | | | | | | 2 | 0.19% |
| 11 | johnray johnrayguitars lainvencible lutherie | | | | | | | 2 | 0.19% |
| 12 | luthier nylonstring rosewood santoshernandez | | | | | | | 2 | 0.19% |
| 13 | nylonstring rosewood santoshernandez spanishguitar | | | | | | | 2 | 0.19% |
| 14 | why do we ignore | | | | | | | 2 | 0.19% |
| 15 | do we ignore the | | | | | | | 2 | 0.19% |
| 16 | photos of my guitars | | | | | | | 2 | 0.19% |
| 17 | guitarmaking guitarra guitarrero handcrafted | | | | | | | 2 | 0.19% |
| 18 | handcrafted handmadeclassicalguitar handmadeguitars johnray | | | | | | | 2 | 0.19% |
| 19 | granadaguitars guitarmaker guitarmaking guitarra | | | | | | | 2 | 0.19% |
| 20 | classicalguitarmaking escuelagranadina flamenco flamencoguitar | | | | | | | 2 | 0.19% |
| 21 | cuarteto de guitarras de | | | | | | | 2 | 0.19% |
| 22 | in guitar makingtagged antiqueguitar | | | | | | | 2 | 0.19% |
| 23 | makingtagged antiqueguitar antoniodetorres artisan | | | | | | | 2 | 0.19% |
| 24 | antiqueguitar antoniodetorres artisan classicalguitar | | | | | | | 2 | 0.19% |
| 25 | guitar makingtagged antiqueguitar antoniodetorres | | | | | | | 2 | 0.19% |
| 26 | flamenco flamencoguitar granada granadaguitars | | | | | | | 2 | 0.19% |
| 27 | flamencoguitar granada granadaguitars guitarmaker | | | | | | | 2 | 0.19% |
| 28 | it after so many | | | | | | | 1 | 0.10% |
| 29 | about rafael casana but | | | | | | | 1 | 0.10% |
| 30 | the guitar so that | | | | | | | 1 | 0.10% |
| 31 | guitar so that we | | | | | | | 1 | 0.10% |
| 32 | so that we could | | | | | | | 1 | 0.10% |
| 33 | that we could hear | | | | | | | 1 | 0.10% |
| 34 | we could hear the | | | | | | | 1 | 0.10% |
| 35 | could hear the sound | | | | | | | 1 | 0.10% |
| 36 | rafael casana but by | | | | | | | 1 | 0.10% |
| 37 | hear the sound of | | | | | | | 1 | 0.10% |
| 38 | know very little about | | | | | | | 1 | 0.10% |
| 39 | the sound of it | | | | | | | 1 | 0.10% |
| 40 | sound of it after | | | | | | | 1 | 0.10% |