Total words: 4299 | 2-word phrases: 1101 | 3-word phrases: 1318 | 4-word phrases: 1377
PAGE INFO
Title | Try to keep the title under 60 characters (54 characters) Joan Miro: 100 Famous Paintings Analysis and Biography |
Description | Try to keep the meta description between 50 - 160 characters (0 characters) |
Keywords | Meta keywords are not recommended anymore (0 characters) |
H1 | H1 tag on the page (27 characters) Joan Miro and his paintings |
ONE WORD PHRASES 503 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | the | | | | | | | 118 | 23.46% |
2 | of | | | | | | | 76 | 15.11% |
3 | in | | | | | | | 46 | 9.15% |
4 | and | | | | | | | 44 | 8.75% |
5 | his | | | | | | | 35 | 6.96% |
6 | he | | | | | | | 30 | 5.96% |
7 | miro | | | | | | | 29 | 5.77% |
8 | to | | | | | | | 26 | 5.17% |
9 | a | | | | | | | 26 | 5.17% |
10 | was | | | | | | | 24 | 4.77% |
TWO WORD PHRASES 1101 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | of the | | | | | | | 25 | 2.27% |
2 | joan miro | | | | | | | 23 | 2.09% |
3 | as a | | | | | | | 13 | 1.18% |
4 | of a | | | | | | | 12 | 1.09% |
5 | and the | | | | | | | 11 | 1.00% |
6 | in the | | | | | | | 11 | 1.00% |
7 | of his | | | | | | | 10 | 0.91% |
8 | to the | | | | | | | 8 | 0.73% |
9 | the work | | | | | | | 7 | 0.64% |
10 | he was | | | | | | | 7 | 0.64% |
11 | was a | | | | | | | 6 | 0.54% |
12 | by the | | | | | | | 6 | 0.54% |
13 | in paris | | | | | | | 5 | 0.45% |
14 | his work | | | | | | | 5 | 0.45% |
15 | his career | | | | | | | 5 | 0.45% |
16 | that he | | | | | | | 5 | 0.45% |
17 | on a | | | | | | | 5 | 0.45% |
18 | on the | | | | | | | 5 | 0.45% |
19 | of art | | | | | | | 5 | 0.45% |
20 | this period | | | | | | | 5 | 0.45% |
THREE WORD PHRASES 1318 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | in front of | | | | | | | 4 | 0.30% |
2 | joan miro was | | | | | | | 4 | 0.30% |
3 | by joan miro | | | | | | | 4 | 0.30% |
4 | of the sun | | | | | | | 4 | 0.30% |
5 | of his career | | | | | | | 4 | 0.30% |
6 | which joan miro | | | | | | | 3 | 0.23% |
7 | years of his | | | | | | | 3 | 0.23% |
8 | the tilled field | | | | | | | 3 | 0.23% |
9 | he created during | | | | | | | 3 | 0.23% |
10 | he was a | | | | | | | 3 | 0.23% |
11 | the form of | | | | | | | 3 | 0.23% |
12 | in the form | | | | | | | 3 | 0.23% |
13 | front of the | | | | | | | 3 | 0.23% |
14 | the flight of | | | | | | | 3 | 0.23% |
15 | a number of | | | | | | | 2 | 0.15% |
16 | the message that | | | | | | | 2 | 0.15% |
17 | as well as | | | | | | | 2 | 0.15% |
18 | during this period | | | | | | | 2 | 0.15% |
19 | dragonfly in front | | | | | | | 2 | 0.15% |
20 | in a number | | | | | | | 2 | 0.15% |
21 | joan miro created | | | | | | | 2 | 0.15% |
22 | took more of | | | | | | | 2 | 0.15% |
23 | more of a | | | | | | | 2 | 0.15% |
24 | the wall of | | | | | | | 2 | 0.15% |
25 | final years of | | | | | | | 2 | 0.15% |
26 | an interest in | | | | | | | 2 | 0.15% |
27 | that was being | | | | | | | 2 | 0.15% |
28 | of a bird | | | | | | | 2 | 0.15% |
29 | woman encircled by | | | | | | | 2 | 0.15% |
30 | smile of the | | | | | | | 2 | 0.15% |
FOUR WORD PHRASES 1377 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | front of the sun | | | | | | | 3 | 0.22% |
2 | in the form of | | | | | | | 3 | 0.22% |
3 | in front of the | | | | | | | 3 | 0.22% |
4 | he created during the | | | | | | | 2 | 0.15% |
5 | took more of a | | | | | | | 2 | 0.15% |
6 | his career much of | | | | | | | 2 | 0.15% |
7 | of the sun the | | | | | | | 2 | 0.15% |
8 | the flight of the | | | | | | | 2 | 0.15% |
9 | of his work was | | | | | | | 2 | 0.15% |
10 | flight of the dragonfly | | | | | | | 2 | 0.15% |
11 | barking at the moon | | | | | | | 2 | 0.15% |
12 | dog barking at the | | | | | | | 2 | 0.15% |
13 | years of his career | | | | | | | 2 | 0.15% |
14 | of the dragonfly in | | | | | | | 2 | 0.15% |
15 | the dragonfly in front | | | | | | | 2 | 0.15% |
16 | dragonfly in front of | | | | | | | 2 | 0.15% |
17 | which joan miro created | | | | | | | 2 | 0.15% |
18 | during the final years | | | | | | | 2 | 0.15% |
19 | the final years of | | | | | | | 2 | 0.15% |
20 | of his career much | | | | | | | 2 | 0.15% |
21 | final years of his | | | | | | | 2 | 0.15% |
22 | woman encircled by the | | | | | | | 2 | 0.15% |
23 | work which joan miro | | | | | | | 2 | 0.15% |
24 | dog in front of | | | | | | | 2 | 0.15% |
25 | and dog in front | | | | | | | 2 | 0.15% |
26 | figures and dog in | | | | | | | 2 | 0.15% |
27 | by joan miro the | | | | | | | 2 | 0.15% |
28 | smile of the flamboyant | | | | | | | 2 | 0.15% |
29 | the smile of the | | | | | | | 2 | 0.15% |
30 | encircled by the flight | | | | | | | 2 | 0.15% |
31 | group exhibitions which brought | | | | | | | 1 | 0.07% |
32 | working with during this | | | | | | | 1 | 0.07% |
33 | to his work and | | | | | | | 1 | 0.07% |
34 | notoriety to his work | | | | | | | 1 | 0.07% |
35 | brought notoriety to his | | | | | | | 1 | 0.07% |
36 | which brought notoriety to | | | | | | | 1 | 0.07% |
37 | exhibitions which brought notoriety | | | | | | | 1 | 0.07% |
38 | a number of individuals | | | | | | | 1 | 0.07% |
39 | individuals as well as | | | | | | | 1 | 0.07% |
40 | number of individuals as | | | | | | | 1 | 0.07% |
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