1 | helen pridmore main menu | | | | | | | 1 | 0.44% |
2 | experimental music and improvisation | | | | | | | 1 | 0.44% |
3 | michael finnissy january 2018 | | | | | | | 1 | 0.44% |
4 | finnissy january 2018 helen | | | | | | | 1 | 0.44% |
5 | pridmore enjoys a career | | | | | | | 1 | 0.44% |
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9 | focused on contemporary scored | | | | | | | 1 | 0.44% |
10 | on contemporary scored music | | | | | | | 1 | 0.44% |
11 | music and improvisation she | | | | | | | 1 | 0.44% |
12 | characterful – michael finnissy | | | | | | | 1 | 0.44% |
13 | and improvisation she has | | | | | | | 1 | 0.44% |
14 | improvisation she has performed | | | | | | | 1 | 0.44% |
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18 | chamber musician across canada | | | | | | | 1 | 0.44% |
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20 | across canada and the | | | | | | | 1 | 0.44% |
21 | canada and the us | | | | | | | 1 | 0.44% |
22 | – michael finnissy january | | | | | | | 1 | 0.44% |
23 | and characterful – michael | | | | | | | 1 | 0.44% |
24 | the us and in | | | | | | | 1 | 0.44% |
25 | hurling itself through fire | | | | | | | 1 | 0.44% |
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27 | ‘bel canto’ and ‘expressionist | | | | | | | 1 | 0.44% |
28 | canto’ and ‘expressionist angst’ | | | | | | | 1 | 0.44% |
29 | and ‘expressionist angst’ it | | | | | | | 1 | 0.44% |
30 | ‘expressionist angst’ it sometimes | | | | | | | 1 | 0.44% |
31 | angst’ it sometimes sounds | | | | | | | 1 | 0.44% |
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36 | responsive and characterful – | | | | | | | 1 | 0.44% |
37 | pridmore main menu skip | | | | | | | 1 | 0.44% |
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