Total words: 894 | 2-word phrases: 236 | 3-word phrases: 247 | 4-word phrases: 248
PAGE INFO
Title | Try to keep the title under 60 characters (50 characters) Headfirst Amplification – Boutique Tube Amps |
Description | Try to keep the meta description between 50 - 160 characters (0 characters) |
Keywords | Meta keywords are not recommended anymore (0 characters) |
H1 | No H1 tag on the page (0 characters) |
ONE WORD PHRASES 163 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | and | | | | | | | 9 | 5.52% |
2 | the | | | | | | | 8 | 4.91% |
3 | to | | | | | | | 6 | 3.68% |
4 | amplification | | | | | | | 6 | 3.68% |
5 | amp | | | | | | | 5 | 3.07% |
6 | headfirst | | | | | | | 5 | 3.07% |
7 | a | | | | | | | 4 | 2.45% |
8 | in | | | | | | | 4 | 2.45% |
9 | gain | | | | | | | 4 | 2.45% |
10 | joe | | | | | | | 4 | 2.45% |
TWO WORD PHRASES 236 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | headfirst amplification | | | | | | | 5 | 2.12% |
2 | evil joe | | | | | | | 3 | 1.27% |
3 | this amp | | | | | | | 2 | 0.85% |
4 | the alta | | | | | | | 2 | 0.85% |
5 | alta 100 | | | | | | | 2 | 0.85% |
6 | and a | | | | | | | 2 | 0.85% |
7 | jim root | | | | | | | 2 | 0.85% |
8 | melbourne australia | | | | | | | 2 | 0.85% |
9 | tony rombola | | | | | | | 2 | 0.85% |
10 | joe barresi | | | | | | | 2 | 0.85% |
11 | contact merch | | | | | | | 2 | 0.85% |
12 | a great | | | | | | | 2 | 0.85% |
13 | shop pcbsmods | | | | | | | 2 | 0.85% |
14 | amplifiers shop | | | | | | | 2 | 0.85% |
15 | in a | | | | | | | 2 | 0.85% |
16 | touch and | | | | | | | 1 | 0.42% |
17 | volume control | | | | | | | 1 | 0.42% |
18 | control like | | | | | | | 1 | 0.42% |
19 | an old | | | | | | | 1 | 0.42% |
20 | your touch | | | | | | | 1 | 0.42% |
THREE WORD PHRASES 247 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | amplifiers shop pcbsmods | | | | | | | 2 | 0.81% |
2 | skip to content | | | | | | | 1 | 0.40% |
3 | to your touch | | | | | | | 1 | 0.40% |
4 | it into high | | | | | | | 1 | 0.40% |
5 | into high gear | | | | | | | 1 | 0.40% |
6 | high gear and | | | | | | | 1 | 0.40% |
7 | gear and even | | | | | | | 1 | 0.40% |
8 | with all that | | | | | | | 1 | 0.40% |
9 | all that gain | | | | | | | 1 | 0.40% |
10 | that gain it | | | | | | | 1 | 0.40% |
11 | gain it responds | | | | | | | 1 | 0.40% |
12 | it responds to | | | | | | | 1 | 0.40% |
13 | responds to your | | | | | | | 1 | 0.40% |
14 | touch and volume | | | | | | | 1 | 0.40% |
15 | your touch and | | | | | | | 1 | 0.40% |
16 | to kick it | | | | | | | 1 | 0.40% |
17 | and volume control | | | | | | | 1 | 0.40% |
18 | volume control like | | | | | | | 1 | 0.40% |
19 | an old school | | | | | | | 1 | 0.40% |
20 | old school amp | | | | | | | 1 | 0.40% |
21 | school amp exceptional” | | | | | | | 1 | 0.40% |
22 | amp exceptional” joe | | | | | | | 1 | 0.40% |
23 | exceptional” joe barresi | | | | | | | 1 | 0.40% |
24 | joe barresi producer | | | | | | | 1 | 0.40% |
25 | barresi producer tony | | | | | | | 1 | 0.40% |
26 | producer tony rombola | | | | | | | 1 | 0.40% |
27 | kick it into | | | | | | | 1 | 0.40% |
28 | gain boost to | | | | | | | 1 | 0.40% |
29 | boost to kick | | | | | | | 1 | 0.40% |
30 | sound instantly cascading | | | | | | | 1 | 0.40% |
FOUR WORD PHRASES 248 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | skip to content headfirst | | | | | | | 1 | 0.40% |
2 | with all that gain | | | | | | | 1 | 0.40% |
3 | and a switchable gain | | | | | | | 1 | 0.40% |
4 | a switchable gain boost | | | | | | | 1 | 0.40% |
5 | switchable gain boost to | | | | | | | 1 | 0.40% |
6 | gain boost to kick | | | | | | | 1 | 0.40% |
7 | boost to kick it | | | | | | | 1 | 0.40% |
8 | to kick it into | | | | | | | 1 | 0.40% |
9 | kick it into high | | | | | | | 1 | 0.40% |
10 | it into high gear | | | | | | | 1 | 0.40% |
11 | into high gear and | | | | | | | 1 | 0.40% |
12 | high gear and even | | | | | | | 1 | 0.40% |
13 | all that gain it | | | | | | | 1 | 0.40% |
14 | clarity diode and clipping | | | | | | | 1 | 0.40% |
15 | that gain it responds | | | | | | | 1 | 0.40% |
16 | gain it responds to | | | | | | | 1 | 0.40% |
17 | it responds to your | | | | | | | 1 | 0.40% |
18 | responds to your touch | | | | | | | 1 | 0.40% |
19 | to your touch and | | | | | | | 1 | 0.40% |
20 | your touch and volume | | | | | | | 1 | 0.40% |
21 | touch and volume control | | | | | | | 1 | 0.40% |
22 | and volume control like | | | | | | | 1 | 0.40% |
23 | an old school amp | | | | | | | 1 | 0.40% |
24 | old school amp exceptional” | | | | | | | 1 | 0.40% |
25 | choices and a switchable | | | | | | | 1 | 0.40% |
26 | for clarity diode and | | | | | | | 1 | 0.40% |
27 | amp exceptional” joe barresi | | | | | | | 1 | 0.40% |
28 | yet its simple to | | | | | | | 1 | 0.40% |
29 | barresi the evil joe | | | | | | | 1 | 0.40% |
30 | the evil joe “this | | | | | | | 1 | 0.40% |
31 | evil joe “this evil | | | | | | | 1 | 0.40% |
32 | joe “this evil joe | | | | | | | 1 | 0.40% |
33 | “this evil joe amp | | | | | | | 1 | 0.40% |
34 | evil joe amp has | | | | | | | 1 | 0.40% |
35 | joe amp has so | | | | | | | 1 | 0.40% |
36 | amp has so many | | | | | | | 1 | 0.40% |
37 | has so many cool | | | | | | | 1 | 0.40% |
38 | features yet its simple | | | | | | | 1 | 0.40% |
39 | its simple to dial | | | | | | | 1 | 0.40% |
40 | switches for clarity diode | | | | | | | 1 | 0.40% |
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