| 1 | film fatales toggle navigation | | | | | | | 1 | 0.47% |
| 2 | than 5 of the | | | | | | | 1 | 0.47% |
| 3 | a social movement in | | | | | | | 1 | 0.47% |
| 4 | social movement in an | | | | | | | 1 | 0.47% |
| 5 | entertainment industry where women | | | | | | | 1 | 0.47% |
| 6 | industry where women direct | | | | | | | 1 | 0.47% |
| 7 | where women direct less | | | | | | | 1 | 0.47% |
| 8 | women direct less than | | | | | | | 1 | 0.47% |
| 9 | direct less than 5 | | | | | | | 1 | 0.47% |
| 10 | less than 5 of | | | | | | | 1 | 0.47% |
| 11 | 5 of the top | | | | | | | 1 | 0.47% |
| 12 | quickly become a social | | | | | | | 1 | 0.47% |
| 13 | of the top box | | | | | | | 1 | 0.47% |
| 14 | office films and less | | | | | | | 1 | 0.47% |
| 15 | films and less than | | | | | | | 1 | 0.47% |
| 16 | and less than 20 | | | | | | | 1 | 0.47% |
| 17 | less than 20 of | | | | | | | 1 | 0.47% |
| 18 | than 20 of episodic | | | | | | | 1 | 0.47% |
| 19 | 20 of episodic television | | | | | | | 1 | 0.47% |
| 20 | of episodic television shows | | | | | | | 1 | 0.47% |
| 21 | become a social movement | | | | | | | 1 | 0.47% |
| 22 | has quickly become a | | | | | | | 1 | 0.47% |
| 23 | fatales provides a structure | | | | | | | 1 | 0.47% |
| 24 | fatales toggle navigation directors | | | | | | | 1 | 0.47% |
| 25 | by hosting panel discussions | | | | | | | 1 | 0.47% |
| 26 | educational workshops networking events | | | | | | | 1 | 0.47% |
| 27 | workshops networking events and | | | | | | | 1 | 0.47% |
| 28 | networking events and screening | | | | | | | 1 | 0.47% |
| 29 | events and screening series | | | | | | | 1 | 0.47% |
| 30 | and screening series to | | | | | | | 1 | 0.47% |
| 31 | promote the work of | | | | | | | 1 | 0.47% |
| 32 | the work of women | | | | | | | 1 | 0.47% |
| 33 | of women filmmakers to | | | | | | | 1 | 0.47% |
| 34 | group has quickly become | | | | | | | 1 | 0.47% |
| 35 | women filmmakers to a | | | | | | | 1 | 0.47% |
| 36 | filmmakers to a wider | | | | | | | 1 | 0.47% |
| 37 | to a wider audience | | | | | | | 1 | 0.47% |
| 38 | a wider audience what | | | | | | | 1 | 0.47% |
| 39 | wider audience what began | | | | | | | 1 | 0.47% |
| 40 | audience what began as | | | | | | | 1 | 0.47% |