1 | the house on via | | | | | | | 4 | 0.53% |
2 | of a new name | | | | | | | 3 | 0.40% |
3 | house on via gemito | | | | | | | 3 | 0.40% |
4 | story of a new | | | | | | | 3 | 0.40% |
5 | tour for bite your | | | | | | | 2 | 0.26% |
6 | dark remainswilliam mcilvanney ian | | | | | | | 2 | 0.26% |
7 | person place thing with | | | | | | | 2 | 0.26% |
8 | italian by oonagh stransky | | | | | | | 2 | 0.26% |
9 | by oonagh stransky has | | | | | | | 2 | 0.26% |
10 | oonagh stransky has been | | | | | | | 2 | 0.26% |
11 | longlisted for the 2024 | | | | | | | 2 | 0.26% |
12 | the dark remainswilliam mcilvanney | | | | | | | 2 | 0.26% |
13 | remainswilliam mcilvanney ian rankin | | | | | | | 2 | 0.26% |
14 | ferrante elena ferrante the | | | | | | | 2 | 0.26% |
15 | mcilvanney ian rankin cover | | | | | | | 2 | 0.26% |
16 | story of the lost | | | | | | | 2 | 0.26% |
17 | cover the story of | | | | | | | 2 | 0.26% |
18 | the story of a | | | | | | | 2 | 0.26% |
19 | ferrante the story of | | | | | | | 2 | 0.26% |
20 | elena ferrante the story | | | | | | | 2 | 0.26% |
21 | from the italian by | | | | | | | 2 | 0.26% |
22 | the italian by oonagh | | | | | | | 2 | 0.26% |
23 | the story of the | | | | | | | 2 | 0.26% |
24 | those who leave and | | | | | | | 2 | 0.26% |
25 | and those who stay | | | | | | | 2 | 0.26% |
26 | longlisted for the international | | | | | | | 2 | 0.26% |
27 | gemito longlisted for the | | | | | | | 2 | 0.26% |
28 | who leave and those | | | | | | | 2 | 0.26% |
29 | leave and those who | | | | | | | 2 | 0.26% |
30 | friends stories of the | | | | | | | 1 | 0.13% |
31 | body militant further suggestions | | | | | | | 1 | 0.13% |
32 | shocking and unsettling tale | | | | | | | 1 | 0.13% |
33 | a shocking and unsettling | | | | | | | 1 | 0.13% |
34 | author fernanda eberstadt on | | | | | | | 1 | 0.13% |
35 | further suggestions recent press | | | | | | | 1 | 0.13% |
36 | fernanda eberstadt on her | | | | | | | 1 | 0.13% |
37 | becomes a shocking and | | | | | | | 1 | 0.13% |
38 | the tone for what | | | | | | | 1 | 0.13% |
39 | sets the tone for | | | | | | | 1 | 0.13% |
40 | relationship sets the tone | | | | | | | 1 | 0.13% |