1 | an excellent eye for | | | | | | | 2 | 0.26% |
2 | leading to natural perfectlytimed | | | | | | | 2 | 0.26% |
3 | excellent eye for moments | | | | | | | 2 | 0.26% |
4 | eye for moments and | | | | | | | 2 | 0.26% |
5 | ben hejkal is the | | | | | | | 2 | 0.26% |
6 | for moments and is | | | | | | | 2 | 0.26% |
7 | has an excellent eye | | | | | | | 2 | 0.26% |
8 | unobtrusive leading to natural | | | | | | | 2 | 0.26% |
9 | he has an excellent | | | | | | | 2 | 0.26% |
10 | to natural perfectlytimed candids | | | | | | | 2 | 0.26% |
11 | to turn out sharp | | | | | | | 1 | 0.13% |
12 | turn out sharp beautifully | | | | | | | 1 | 0.13% |
13 | out sharp beautifully balanced | | | | | | | 1 | 0.13% |
14 | ability to turn out | | | | | | | 1 | 0.13% |
15 | the ability to turn | | | | | | | 1 | 0.13% |
16 | world the ability to | | | | | | | 1 | 0.13% |
17 | dance world the ability | | | | | | | 1 | 0.13% |
18 | photographs while working with | | | | | | | 1 | 0.13% |
19 | while working with a | | | | | | | 1 | 0.13% |
20 | this app works best | | | | | | | 1 | 0.13% |
21 | appreciated in the social | | | | | | | 1 | 0.13% |
22 | with a modestlysized lens | | | | | | | 1 | 0.13% |
23 | minimalist approach to photography | | | | | | | 1 | 0.13% |
24 | the public eye is | | | | | | | 1 | 0.13% |
25 | public eye is a | | | | | | | 1 | 0.13% |
26 | eye is a distinguishing | | | | | | | 1 | 0.13% |
27 | is a distinguishing feature | | | | | | | 1 | 0.13% |
28 | of his art his | | | | | | | 1 | 0.13% |
29 | his art his minimalist | | | | | | | 1 | 0.13% |
30 | art his minimalist approach | | | | | | | 1 | 0.13% |
31 | his minimalist approach to | | | | | | | 1 | 0.13% |
32 | approach to photography is | | | | | | | 1 | 0.13% |
33 | especially appreciated in the | | | | | | | 1 | 0.13% |
34 | to photography is advantageous | | | | | | | 1 | 0.13% |
35 | photography is advantageous in | | | | | | | 1 | 0.13% |
36 | is advantageous in a | | | | | | | 1 | 0.13% |
37 | variety of situations but | | | | | | | 1 | 0.13% |
38 | of situations but is | | | | | | | 1 | 0.13% |
39 | situations but is especially | | | | | | | 1 | 0.13% |
40 | but is especially appreciated | | | | | | | 1 | 0.13% |