Total words: 1445 | 2-word phrases: 386 | 3-word phrases: 400 | 4-word phrases: 400
PAGE INFO
Title | Try to keep the title under 60 characters (62 characters) Obelisk Art History — Explore the world of human creativity |
Description | Try to keep the meta description between 50 - 160 characters (154 characters) Obelisk Art History is a free online art history book - meet history’s greatest artists, discover artwork and explore the story of human creativity. |
Keywords | Meta keywords are not recommended anymore (0 characters) |
H1 | H1 tag on the page (7 characters) Obelisk |
ONE WORD PHRASES 259 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | the | | | | | | | 26 | 10.04% |
2 | of | | | | | | | 16 | 6.18% |
3 | and | | | | | | | 13 | 5.02% |
4 | to | | | | | | | 9 | 3.47% |
5 | in | | | | | | | 9 | 3.47% |
6 | a | | | | | | | 9 | 3.47% |
7 | read | | | | | | | 5 | 1.93% |
8 | was | | | | | | | 5 | 1.93% |
9 | obelisk | | | | | | | 5 | 1.93% |
10 | artists | | | | | | | 4 | 1.54% |
TWO WORD PHRASES 386 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | read more | | | | | | | 5 | 1.30% |
2 | of a | | | | | | | 4 | 1.04% |
3 | of the | | | | | | | 4 | 1.04% |
4 | hudson river | | | | | | | 3 | 0.78% |
5 | in the | | | | | | | 3 | 0.78% |
6 | a name? | | | | | | | 2 | 0.52% |
7 | egon schiele | | | | | | | 2 | 0.52% |
8 | was a | | | | | | | 2 | 0.52% |
9 | the artists | | | | | | | 2 | 0.52% |
10 | sascha schneider | | | | | | | 2 | 0.52% |
11 | and the | | | | | | | 2 | 0.52% |
12 | the etruscans | | | | | | | 2 | 0.52% |
13 | a name | | | | | | | 2 | 0.52% |
14 | chimera of | | | | | | | 2 | 0.52% |
15 | the chimera | | | | | | | 2 | 0.52% |
16 | obelisk a | | | | | | | 2 | 0.52% |
17 | come to | | | | | | | 2 | 0.52% |
18 | development of | | | | | | | 1 | 0.26% |
19 | body culture | | | | | | | 1 | 0.26% |
20 | free body | | | | | | | 1 | 0.26% |
THREE WORD PHRASES 400 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | close menu welcome | | | | | | 1 | 0.25% |
2 | with it—a rigidity | | | | | | | 1 | 0.25% |
3 | name even more | | | | | | | 1 | 0.25% |
4 | bohemian dissent and | | | | | | | 1 | 0.25% |
5 | claiming a new | | | | | | | 1 | 0.25% |
6 | makes claiming a | | | | | | | 1 | 0.25% |
7 | that makes claiming | | | | | | | 1 | 0.25% |
8 | rigidity that makes | | | | | | | 1 | 0.25% |
9 | it—a rigidity that | | | | | | | 1 | 0.25% |
10 | stuck with it—a | | | | | | | 1 | 0.25% |
11 | more powerful magic | | | | | | | 1 | 0.25% |
12 | usually stuck with | | | | | | | 1 | 0.25% |
13 | youre usually stuck | | | | | | | 1 | 0.25% |
14 | existential anxiety read | | | | | | | 1 | 0.25% |
15 | given a name | | | | | | | 1 | 0.25% |
16 | been given a | | | | | | | 1 | 0.25% |
17 | youve been given | | | | | | | 1 | 0.25% |
18 | once youve been | | | | | | | 1 | 0.25% |
19 | even more powerful | | | | | | | 1 | 0.25% |
20 | powerful magic read | | | | | | | 1 | 0.25% |
21 | the west once | | | | | | | 1 | 0.25% |
22 | sascha schneider the | | | | | | | 1 | 0.25% |
23 | and the world | | | | | | | 1 | 0.25% |
24 | perfection and the | | | | | | | 1 | 0.25% |
25 | narcissistic yearning erotic | | | | | | | 1 | 0.25% |
26 | yearning erotic desire | | | | | | | 1 | 0.25% |
27 | male body was | | | | | | | 1 | 0.25% |
28 | the male body | | | | | | | 1 | 0.25% |
29 | schneider the male | | | | | | | 1 | 0.25% |
30 | to sascha schneider | | | | | | | 1 | 0.25% |
FOUR WORD PHRASES 400 Words
# |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
1 | close menu welcome to | | | | | | 1 | 0.25% |
2 | menu welcome to obelisk | | | | | | 1 | 0.25% |
3 | but in the west | | | | | | | 1 | 0.25% |
4 | lives but in the | | | | | | | 1 | 0.25% |
5 | their lives but in | | | | | | | 1 | 0.25% |
6 | in their lives but | | | | | | | 1 | 0.25% |
7 | milestones in their lives | | | | | | | 1 | 0.25% |
8 | for drawing and graphic | | | | | | | 1 | 0.25% |
9 | often changed names after | | | | | | | 1 | 0.25% |
10 | the west once youve | | | | | | | 1 | 0.25% |
11 | artists often changed names | | | | | | | 1 | 0.25% |
12 | japan artists often changed | | | | | | | 1 | 0.25% |
13 | in japan artists often | | | | | | | 1 | 0.25% |
14 | us in japan artists | | | | | | | 1 | 0.25% |
15 | reflect us in japan | | | | | | | 1 | 0.25% |
16 | to reflect us in | | | | | | | 1 | 0.25% |
17 | in the west once | | | | | | | 1 | 0.25% |
18 | west once youve been | | | | | | | 1 | 0.25% |
19 | they come to reflect | | | | | | | 1 | 0.25% |
20 | rigidity that makes claiming | | | | | | | 1 | 0.25% |
21 | name even more powerful | | | | | | | 1 | 0.25% |
22 | and by means of | | | | | | | 1 | 0.25% |
23 | by means of a | | | | | | | 1 | 0.25% |
24 | means of a preternatural | | | | | | | 1 | 0.25% |
25 | makes claiming a new | | | | | | | 1 | 0.25% |
26 | that makes claiming a | | | | | | | 1 | 0.25% |
27 | it—a rigidity that makes | | | | | | | 1 | 0.25% |
28 | once youve been given | | | | | | | 1 | 0.25% |
29 | with it—a rigidity that | | | | | | | 1 | 0.25% |
30 | stuck with it—a rigidity | | | | | | | 1 | 0.25% |
31 | usually stuck with it—a | | | | | | | 1 | 0.25% |
32 | youre usually stuck with | | | | | | | 1 | 0.25% |
33 | of a preternatural gift | | | | | | | 1 | 0.25% |
34 | been given a name | | | | | | | 1 | 0.25% |
35 | youve been given a | | | | | | | 1 | 0.25% |
36 | come to reflect us | | | | | | | 1 | 0.25% |
37 | drawing and graphic design | | | | | | | 1 | 0.25% |
38 | more powerful magic read | | | | | | | 1 | 0.25% |
39 | narcissistic yearning erotic desire | | | | | | | 1 | 0.25% |
40 | whats in a name? | | | | | | | 1 | 0.25% |
EXTERNAL LINKS