Total words: 4342 | 2-word phrases: 1165 | 3-word phrases: 1264 | 4-word phrases: 1277
PAGE INFO
| Title | Try to keep the title under 60 characters (9 characters)
Na kytaru |
| Description | Try to keep the meta description between 50 - 160 characters (0 characters)
|
| Keywords | Meta keywords are not recommended anymore (0 characters)
na kytaru, technika hry na kytaru, doprovod na kytaru, způsoby hry na kytaru |
| H1 | H1 tag on the page (9 characters)
Na kytaru |
ONE WORD PHRASES 636 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | se | | | | | | | 46 | 7.23% |
| 2 | na | | | | | | | 36 | 5.66% |
| 3 | a | | | | | | | 33 | 5.19% |
| 4 | je | | | | | | | 32 | 5.03% |
| 5 | v | | | | | | | 24 | 3.77% |
| 6 | to | | | | | | | 21 | 3.30% |
| 7 | kytaru | | | | | | | 17 | 2.67% |
| 8 | nebo | | | | | | | 14 | 2.20% |
| 9 | tak | | | | | | | 12 | 1.89% |
| 10 | jako | | | | | | | 12 | 1.89% |
TWO WORD PHRASES 1165 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | na kytaru | | | | | | | 12 | 1.03% |
| 2 | se v | | | | | | | 7 | 0.60% |
| 3 | levou rukou | | | | | | | 6 | 0.52% |
| 4 | a to | | | | | | | 6 | 0.52% |
| 5 | to je | | | | | | | 5 | 0.43% |
| 6 | o to | | | | | | | 5 | 0.43% |
| 7 | se to | | | | | | | 5 | 0.43% |
| 8 | je to | | | | | | | 5 | 0.43% |
| 9 | se dá | | | | | | | 5 | 0.43% |
| 10 | a o | | | | | | | 5 | 0.43% |
| 11 | jde o | | | | | | | 4 | 0.34% |
| 12 | pravé ruky | | | | | | | 4 | 0.34% |
| 13 | to v | | | | | | | 4 | 0.34% |
| 14 | v podstatě | | | | | | | 4 | 0.34% |
| 15 | způsob hry | | | | | | | 3 | 0.26% |
| 16 | a odtrh | | | | | | | 3 | 0.26% |
| 17 | se používá | | | | | | | 3 | 0.26% |
| 18 | se na | | | | | | | 3 | 0.26% |
| 19 | je je | | | | | | | 3 | 0.26% |
| 20 | je tak | | | | | | | 3 | 0.26% |
THREE WORD PHRASES 1264 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | hry na kytaru | | | | | | | 2 | 0.16% |
| 2 | na kytaru můžeme | | | | | | | 2 | 0.16% |
| 3 | dělá se to | | | | | | | 2 | 0.16% |
| 4 | pro elektrickou kytaru | | | | | | | 2 | 0.16% |
| 5 | při běžném hraní | | | | | | | 2 | 0.16% |
| 6 | a to jak | | | | | | | 2 | 0.16% |
| 7 | se dá na | | | | | | | 2 | 0.16% |
| 8 | se používá v | | | | | | | 2 | 0.16% |
| 9 | kytaru můžeme hrát | | | | | | | 2 | 0.16% |
| 10 | v kapele může | | | | | | | 2 | 0.16% |
| 11 | jde o to | | | | | | | 2 | 0.16% |
| 12 | tato technika je | | | | | | | 2 | 0.16% |
| 13 | na kytaru se | | | | | | | 2 | 0.16% |
| 14 | kde na struně | | | | | | | 1 | 0.08% |
| 15 | je to na | | | | | | | 1 | 0.08% |
| 16 | pokud je to | | | | | | | 1 | 0.08% |
| 17 | přitlumí pokud je | | | | | | | 1 | 0.08% |
| 18 | to na místě | | | | | | | 1 | 0.08% |
| 19 | na místě kde | | | | | | | 1 | 0.08% |
| 20 | místě kde na | | | | | | | 1 | 0.08% |
| 21 | struna přitlumí pokud | | | | | | | 1 | 0.08% |
| 22 | na kytaru na | | | | | | | 1 | 0.08% |
| 23 | se takto zahraný | | | | | | | 1 | 0.08% |
| 24 | na struně vzniká | | | | | | | 1 | 0.08% |
| 25 | flažolet ozve se | | | | | | | 1 | 0.08% |
| 26 | ozve se takto | | | | | | | 1 | 0.08% |
| 27 | takto zahraný tón | | | | | | | 1 | 0.08% |
| 28 | zahraný tón poměrně | | | | | | | 1 | 0.08% |
| 29 | tón poměrně jasné | | | | | | | 1 | 0.08% |
| 30 | poměrně jasné to | | | | | | | 1 | 0.08% |
FOUR WORD PHRASES 1277 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | na kytaru můžeme hrát | | | | | | | 2 | 0.16% |
| 2 | na kytaru na kytaru | | | | | | | 1 | 0.08% |
| 3 | hudbě a na zkreslený | | | | | | | 1 | 0.08% |
| 4 | v jazzu nebo folk | | | | | | | 1 | 0.08% |
| 5 | jazzu nebo folk music | | | | | | | 1 | 0.08% |
| 6 | nebo folk music pinch | | | | | | | 1 | 0.08% |
| 7 | folk music pinch harmonic | | | | | | | 1 | 0.08% |
| 8 | music pinch harmonic pinch | | | | | | | 1 | 0.08% |
| 9 | pinch harmonic pinch harmonic | | | | | | | 1 | 0.08% |
| 10 | harmonic pinch harmonic je | | | | | | | 1 | 0.08% |
| 11 | technika používaná převážně v | | | | | | | 1 | 0.08% |
| 12 | používaná převážně v rockové | | | | | | | 1 | 0.08% |
| 13 | převážně v rockové hudbě | | | | | | | 1 | 0.08% |
| 14 | v rockové hudbě a | | | | | | | 1 | 0.08% |
| 15 | rockové hudbě a na | | | | | | | 1 | 0.08% |
| 16 | zvuk jde o to | | | | | | | 1 | 0.08% |
| 17 | i kytaristé kteří hrají | | | | | | | 1 | 0.08% |
| 18 | jde o to že | | | | | | | 1 | 0.08% |
| 19 | o to že se | | | | | | | 1 | 0.08% |
| 20 | to že se zahraje | | | | | | | 1 | 0.08% |
| 21 | že se zahraje trsátkem | | | | | | | 1 | 0.08% |
| 22 | se zahraje trsátkem a | | | | | | | 1 | 0.08% |
| 23 | zahraje trsátkem a palcem | | | | | | | 1 | 0.08% |
| 24 | trsátkem a palcem se | | | | | | | 1 | 0.08% |
| 25 | a palcem se při | | | | | | | 1 | 0.08% |
| 26 | palcem se při tom | | | | | | | 1 | 0.08% |
| 27 | se při tom malinko | | | | | | | 1 | 0.08% |
| 28 | struna přitlumí pokud je | | | | | | | 1 | 0.08% |
| 29 | přitlumí pokud je to | | | | | | | 1 | 0.08% |
| 30 | pokud je to na | | | | | | | 1 | 0.08% |
| 31 | je to na místě | | | | | | | 1 | 0.08% |
| 32 | tappingem v jazzu nebo | | | | | | | 1 | 0.08% |
| 33 | ale i kytaristé kteří | | | | | | | 1 | 0.08% |
| 34 | na místě kde na | | | | | | | 1 | 0.08% |
| 35 | v podstatě se pravá | | | | | | | 1 | 0.08% |
| 36 | nebo i zkreslený zvuk | | | | | | | 1 | 0.08% |
| 37 | tapping tapping je technika | | | | | | | 1 | 0.08% |
| 38 | tapping je technika hry | | | | | | | 1 | 0.08% |
| 39 | je technika hry na | | | | | | | 1 | 0.08% |
| 40 | technika hry na kytaru | | | | | | | 1 | 0.08% |
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