Total words: 1484 | 2-word phrases: 409 | 3-word phrases: 421 | 4-word phrases: 422
PAGE INFO
| Title | Try to keep the title under 60 characters (0 characters)
|
| Description | Try to keep the meta description between 50 - 160 characters (24 characters)
Monica Dinculescu's blog |
| Keywords | Meta keywords are not recommended anymore (0 characters)
|
| H1 | H1 tag on the page (17 characters)
Monica Dinculescu |
ONE WORD PHRASES 232 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | i | | | | | | | 17 | 7.33% |
| 2 | the | | | | | | | 15 | 6.47% |
| 3 | and | | | | | | | 14 | 6.03% |
| 4 | a | | | | | | | 14 | 6.03% |
| 5 | of | | | | | | | 11 | 4.74% |
| 6 | my | | | | | | | 8 | 3.45% |
| 7 | art | | | | | | | 8 | 3.45% |
| 8 | to | | | | | | | 7 | 3.02% |
| 9 | you | | | | | | | 7 | 3.02% |
| 10 | in | | | | | | | 7 | 3.02% |
TWO WORD PHRASES 409 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | it ? | | | | | | | 24 | 5.87% |
| 2 | ? i | | | | | | | 24 | 5.87% |
| 3 | of a | | | | | | | 4 | 0.98% |
| 4 | is on | | | | | | | 3 | 0.73% |
| 5 | you can | | | | | | | 3 | 0.73% |
| 6 | i work | | | | | | | 2 | 0.49% |
| 7 | that i | | | | | | | 2 | 0.49% |
| 8 | of my | | | | | | | 2 | 0.49% |
| 9 | art i | | | | | | | 2 | 0.49% |
| 10 | work most | | | | | | | 2 | 0.49% |
| 11 | world a | | | | | | | 2 | 0.49% |
| 12 | as a | | | | | | | 2 | 0.49% |
| 13 | me and | | | | | | | 2 | 0.49% |
| 14 | regenerate it | | | | | | | 2 | 0.49% |
| 15 | at art | | | | | | | 2 | 0.49% |
| 16 | real world | | | | | | | 2 | 0.49% |
| 17 | the real | | | | | | | 2 | 0.49% |
| 18 | machine learning | | | | | | | 2 | 0.49% |
| 19 | on my | | | | | | | 2 | 0.49% |
| 20 | either way | | | | | | | 1 | 0.24% |
THREE WORD PHRASES 421 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | real world a | | | | | | | 2 | 0.48% |
| 2 | regenerate it ? | | | | | | | 2 | 0.48% |
| 3 | is on my | | | | | | | 2 | 0.48% |
| 4 | the real world | | | | | | | 2 | 0.48% |
| 5 | 🏠 about hire | | | | | | | 1 | 0.24% |
| 6 | either way i | | | | | | | 1 | 0.24% |
| 7 | conceived either way | | | | | | | 1 | 0.24% |
| 8 | be conceived either | | | | | | | 1 | 0.24% |
| 9 | can be conceived | | | | | | | 1 | 0.24% |
| 10 | what can be | | | | | | | 1 | 0.24% |
| 11 | and what can | | | | | | | 1 | 0.24% |
| 12 | seen and what | | | | | | | 1 | 0.24% |
| 13 | between what is | | | | | | | 1 | 0.24% |
| 14 | blur the lines | | | | | | | 1 | 0.24% |
| 15 | lines between what | | | | | | | 1 | 0.24% |
| 16 | the lines between | | | | | | | 1 | 0.24% |
| 17 | to blur the | | | | | | | 1 | 0.24% |
| 18 | try to blur | | | | | | | 1 | 0.24% |
| 19 | i try to | | | | | | | 1 | 0.24% |
| 20 | conceptual i try | | | | | | | 1 | 0.24% |
| 21 | more conceptual i | | | | | | | 1 | 0.24% |
| 22 | be more conceptual | | | | | | | 1 | 0.24% |
| 23 | to be more | | | | | | | 1 | 0.24% |
| 24 | want to be | | | | | | | 1 | 0.24% |
| 25 | way i hope | | | | | | | 1 | 0.24% |
| 26 | i hope to | | | | | | | 1 | 0.24% |
| 27 | and melancholy when | | | | | | | 1 | 0.24% |
| 28 | my art life | | | | | | | 1 | 0.24% |
| 29 | one is on | | | | | | | 1 | 0.24% |
| 30 | organized one is | | | | | | | 1 | 0.24% |
FOUR WORD PHRASES 422 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | the real world a | | | | | | | 2 | 0.47% |
| 2 | 🏠 about hire me | | | | | | | 1 | 0.24% |
| 3 | conceptual i try to | | | | | | | 1 | 0.24% |
| 4 | and what can be | | | | | | | 1 | 0.24% |
| 5 | seen and what can | | | | | | | 1 | 0.24% |
| 6 | lines between what is | | | | | | | 1 | 0.24% |
| 7 | the lines between what | | | | | | | 1 | 0.24% |
| 8 | blur the lines between | | | | | | | 1 | 0.24% |
| 9 | to blur the lines | | | | | | | 1 | 0.24% |
| 10 | try to blur the | | | | | | | 1 | 0.24% |
| 11 | i try to blur | | | | | | | 1 | 0.24% |
| 12 | more conceptual i try | | | | | | | 1 | 0.24% |
| 13 | can be conceived either | | | | | | | 1 | 0.24% |
| 14 | be more conceptual i | | | | | | | 1 | 0.24% |
| 15 | to be more conceptual | | | | | | | 1 | 0.24% |
| 16 | want to be more | | | | | | | 1 | 0.24% |
| 17 | i want to be | | | | | | | 1 | 0.24% |
| 18 | absence and melancholy when | | | | | | | 1 | 0.24% |
| 19 | of absence and melancholy | | | | | | | 1 | 0.24% |
| 20 | feeling of absence and | | | | | | | 1 | 0.24% |
| 21 | a feeling of absence | | | | | | | 1 | 0.24% |
| 22 | what can be conceived | | | | | | | 1 | 0.24% |
| 23 | be conceived either way | | | | | | | 1 | 0.24% |
| 24 | and provoke a feeling | | | | | | | 1 | 0.24% |
| 25 | of the real world | | | | | | | 1 | 0.24% |
| 26 | on my instagram an | | | | | | | 1 | 0.24% |
| 27 | is on my instagram | | | | | | | 1 | 0.24% |
| 28 | life is on my | | | | | | | 1 | 0.24% |
| 29 | art life is on | | | | | | | 1 | 0.24% |
| 30 | my art life is | | | | | | | 1 | 0.24% |
| 31 | of my art life | | | | | | | 1 | 0.24% |
| 32 | view of my art | | | | | | | 1 | 0.24% |
| 33 | real world a chaotic | | | | | | | 1 | 0.24% |
| 34 | complexity of the real | | | | | | | 1 | 0.24% |
| 35 | conceived either way i | | | | | | | 1 | 0.24% |
| 36 | visual complexity of the | | | | | | | 1 | 0.24% |
| 37 | the visual complexity of | | | | | | | 1 | 0.24% |
| 38 | for the visual complexity | | | | | | | 1 | 0.24% |
| 39 | appreciation for the visual | | | | | | | 1 | 0.24% |
| 40 | hope to inspire an | | | | | | | 1 | 0.24% |
EXTERNAL LINKS