Total words: 850 | 2-word phrases: 219 | 3-word phrases: 236 | 4-word phrases: 239
PAGE INFO
| Title | Try to keep the title under 60 characters (19 characters)
Lisa Bailey, author |
| Description | Try to keep the meta description between 50 - 160 characters (0 characters)
|
| Keywords | Meta keywords are not recommended anymore (0 characters)
|
| H1 | H1 tag on the page (11 characters)
LISA BAILEY |
ONE WORD PHRASES 156 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | of | | | | | | | 14 | 8.97% |
| 2 | and | | | | | | | 11 | 7.05% |
| 3 | the | | | | | | | 11 | 7.05% |
| 4 | forensic | | | | | | | 6 | 3.85% |
| 5 | lisa | | | | | | | 6 | 3.85% |
| 6 | bailey | | | | | | | 5 | 3.21% |
| 7 | bones | | | | | | | 4 | 2.56% |
| 8 | a | | | | | | | 4 | 2.56% |
| 9 | art | | | | | | | 3 | 1.92% |
| 10 | artist | | | | | | | 3 | 1.92% |
TWO WORD PHRASES 219 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | forensic art | | | | | | | 6 | 2.74% |
| 2 | lisa bailey | | | | | | | 5 | 2.28% |
| 3 | and bones | | | | | | | 4 | 1.83% |
| 4 | clay and | | | | | | | 4 | 1.83% |
| 5 | the real | | | | | | | 3 | 1.37% |
| 6 | of the | | | | | | | 3 | 1.37% |
| 7 | forensic artist | | | | | | | 3 | 1.37% |
| 8 | my life | | | | | | | 2 | 0.91% |
| 9 | fbi forensic | | | | | | | 2 | 0.91% |
| 10 | bones is | | | | | | | 2 | 0.91% |
| 11 | order now | | | | | | | 2 | 0.91% |
| 12 | art 101 | | | | | | | 2 | 0.91% |
| 13 | contact forensic | | | | | | | 2 | 0.91% |
| 14 | as a | | | | | | | 2 | 0.91% |
| 15 | media contact | | | | | | | 2 | 0.91% |
| 16 | about book | | | | | | | 2 | 0.91% |
| 17 | home about | | | | | | | 2 | 0.91% |
| 18 | author of | | | | | | | 2 | 0.91% |
| 19 | mira t | | | | | | | 2 | 0.91% |
| 20 | and the | | | | | | | 1 | 0.46% |
THREE WORD PHRASES 236 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | clay and bones | | | | | | | 4 | 1.69% |
| 2 | and bones is | | | | | | | 2 | 0.85% |
| 3 | fbi forensic artist | | | | | | | 2 | 0.85% |
| 4 | forensic art 101 | | | | | | | 2 | 0.85% |
| 5 | contact forensic art | | | | | | | 2 | 0.85% |
| 6 | home about book | | | | | | | 2 | 0.85% |
| 7 | media contact forensic | | | | | | | 2 | 0.85% |
| 8 | skip to content | | | | | | | 1 | 0.42% |
| 9 | the real world | | | | | | | 1 | 0.42% |
| 10 | seat to the | | | | | | | 1 | 0.42% |
| 11 | to the real | | | | | | | 1 | 0.42% |
| 12 | forensic art and | | | | | | | 1 | 0.42% |
| 13 | row seat to | | | | | | | 1 | 0.42% |
| 14 | front row seat | | | | | | | 1 | 0.42% |
| 15 | a front row | | | | | | | 1 | 0.42% |
| 16 | have a front | | | | | | | 1 | 0.42% |
| 17 | real world of | | | | | | | 1 | 0.42% |
| 18 | the real fight | | | | | | | 1 | 0.42% |
| 19 | art and the | | | | | | | 1 | 0.42% |
| 20 | and the real | | | | | | | 1 | 0.42% |
| 21 | bones readers have | | | | | | | 1 | 0.42% |
| 22 | real fight for | | | | | | | 1 | 0.42% |
| 23 | fight for justice | | | | | | | 1 | 0.42% |
| 24 | for justice —melissa | | | | | | | 1 | 0.42% |
| 25 | justice —melissa ross | | | | | | | 1 | 0.42% |
| 26 | —melissa ross author | | | | | | | 1 | 0.42% |
| 27 | of forensics for kids | | | | | | | 1 | 0.42% |
| 28 | for kids “a | | | | | | | 1 | 0.42% |
| 29 | kids “a fascinating | | | | | | | 1 | 0.42% |
| 30 | “a fascinating account | | | | | | | 1 | 0.42% |
FOUR WORD PHRASES 239 Words
| # |
Keyword |
H1 |
Title |
Des |
Volume |
Position |
Suggest |
Frequency |
Density |
| 1 | clay and bones is | | | | | | | 2 | 0.84% |
| 2 | media contact forensic art | | | | | | | 2 | 0.84% |
| 3 | contact forensic art 101 | | | | | | | 2 | 0.84% |
| 4 | skip to content lisa | | | | | | | 1 | 0.42% |
| 5 | row seat to the | | | | | | | 1 | 0.42% |
| 6 | compelling as a crime | | | | | | | 1 | 0.42% |
| 7 | as a crime novel | | | | | | | 1 | 0.42% |
| 8 | in clay and bones readers | | | | | | | 1 | 0.42% |
| 9 | and bones readers have | | | | | | | 1 | 0.42% |
| 10 | bones readers have a | | | | | | | 1 | 0.42% |
| 11 | readers have a front | | | | | | | 1 | 0.42% |
| 12 | have a front row | | | | | | | 1 | 0.42% |
| 13 | a front row seat | | | | | | | 1 | 0.42% |
| 14 | front row seat to | | | | | | | 1 | 0.42% |
| 15 | to the real world | | | | | | | 1 | 0.42% |
| 16 | seat to the real | | | | | | | 1 | 0.42% |
| 17 | stiff as compelling as | | | | | | | 1 | 0.42% |
| 18 | the real world of | | | | | | | 1 | 0.42% |
| 19 | forensic art and the | | | | | | | 1 | 0.42% |
| 20 | art and the real | | | | | | | 1 | 0.42% |
| 21 | and the real fight | | | | | | | 1 | 0.42% |
| 22 | the real fight for | | | | | | | 1 | 0.42% |
| 23 | real fight for justice | | | | | | | 1 | 0.42% |
| 24 | fight for justice —melissa | | | | | | | 1 | 0.42% |
| 25 | for justice —melissa ross | | | | | | | 1 | 0.42% |
| 26 | as compelling as a | | | | | | | 1 | 0.42% |
| 27 | of working stiff as | | | | | | | 1 | 0.42% |
| 28 | working stiff as compelling | | | | | | | 1 | 0.42% |
| 29 | to content lisa bailey | | | | | | | 1 | 0.42% |
| 30 | of articles and three | | | | | | | 1 | 0.42% |
| 31 | articles and three books | | | | | | | 1 | 0.42% |
| 32 | on the subject of | | | | | | | 1 | 0.42% |
| 33 | the subject of messy | | | | | | | 1 | 0.42% |
| 34 | subject of messy death | | | | | | | 1 | 0.42% |
| 35 | of messy death the | | | | | | | 1 | 0.42% |
| 36 | messy death the two | | | | | | | 1 | 0.42% |
| 37 | death the two of | | | | | | | 1 | 0.42% |
| 38 | the two of us | | | | | | | 1 | 0.42% |
| 39 | two of us learned | | | | | | | 1 | 0.42% |
| 40 | us learned things from | | | | | | | 1 | 0.42% |
EXTERNAL LINKS